{"id":52853,"date":"2025-03-03T18:11:58","date_gmt":"2025-03-03T18:11:58","guid":{"rendered":"https:\/\/shef-live.co.uk\/?p=52853"},"modified":"2025-03-05T12:34:44","modified_gmt":"2025-03-05T12:34:44","slug":"new-exhibition-these-mad-hybrids-john-hoyland-and-contemporary-sculpture-comes-to-sheffield-gallery","status":"publish","type":"post","link":"https:\/\/shef-live.co.uk\/index.php\/2025\/03\/03\/new-exhibition-these-mad-hybrids-john-hoyland-and-contemporary-sculpture-comes-to-sheffield-gallery\/","title":{"rendered":"New exhibition These Mad Hybrids: John Hoyland and Contemporary Sculpture comes to Sheffield\u00a0gallery"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">A Sheffield-born artist&#8217;s ceramics are being displayed at the city&#8217;s Millennium Gallery for only the second time.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The centrepiece of the display of John Hoyland&#8217;s work is his fondly-named Mad Little Hybrids which incorporates an abstract range of ceramic sculptures made by him in the 1990s.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The highly regarded \u2018Thupelo Memory,1994\u2019, also takes centre stage alongside works by other artists, including David Harrison, Caroline Achaintre and Hew Locke.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/shef-live.co.uk\/wp-content\/uploads\/2025\/03\/IMG_3898-1024x768.jpg\" alt=\"\" class=\"wp-image-52863\" srcset=\"https:\/\/shef-live.co.uk\/wp-content\/uploads\/2025\/03\/IMG_3898-980x735.jpg 980w, https:\/\/shef-live.co.uk\/wp-content\/uploads\/2025\/03\/IMG_3898-480x360.jpg 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) 1024px, 100vw\" \/><figcaption class=\"wp-element-caption\">Thupelo Memory,1994 in the centre.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">With a career spanning 50 years, Hoyland has become increasingly influential in the art world, his work specialising in abstract geometric forms exhibited in galleries ranging from the Royal Academy of Arts, London, 1999 and most recently The last Paintings, 2021, at the Millennium Gallery which brought together some of his last paintings before his death.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The exhibition also represents a shift in Hoyland\u2019s style. Aided by fellow artist David Harrison, Hoyland took a different approach in his creation of his Mad Little Hybrids.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Hoyland previously said: \u201cI had not touched three-dimensional ceramics since I was seven years old until I began this group of work at the Royal Academy of Art.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cAfter my initial optimism at the \u2018idea\u2019 of the project I began to realise that it was harder than it looked, but guided and encouraged by David Harrison we produced this group of work.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cWhat I really enjoyed was the freedom to \u2018try anything\u2019, the unexpected results with some of the colour, and also to indulge in the possibility of introducing irony and even humour to these Mad Little Hybrids.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The exhibition was curated by Olivia Bax, Sam Cornish and Wiz Patterson Kelly of the John Hoyland Estate, after the work was in private collections.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Lead curator Ms Bax was surprised the work had stayed under the radar, saying: \u201cDespite being 30 years old, they looked as if they had just been made.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cI am delighted that we can now see them in dialogue with other sculptors championing colourful, odd, immediate and funny sculptural hybrids.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Visitors of the gallery, Tobias and Kairen, said the work was \u2018extremely striking and eye-catching, drawn to Hew Locke\u2019s Kingdom of the Blind, which incorporates toy weapons, plastic flowers and beads and babies&#8217; heads into three human figures. <\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/shef-live.co.uk\/wp-content\/uploads\/2025\/03\/IMG_3895-1024x768.jpg\" alt=\"\" class=\"wp-image-52864\" srcset=\"https:\/\/shef-live.co.uk\/wp-content\/uploads\/2025\/03\/IMG_3895-980x735.jpg 980w, https:\/\/shef-live.co.uk\/wp-content\/uploads\/2025\/03\/IMG_3895-480x360.jpg 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) 1024px, 100vw\" \/><figcaption class=\"wp-element-caption\">Kingdom of the Blind, Hew Locke<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">The event will be open until Sunday May 18.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A Sheffield-born artist&#8217;s ceramics are being displayed at the city&#8217;s Millennium Gallery for only the second time. The centrepiece of the display of John Hoyland&#8217;s work is his fondly-named Mad Little Hybrids which incorporates an abstract range of ceramic sculptures made by him in the 1990s. The highly regarded \u2018Thupelo Memory,1994\u2019, also takes centre stage [&hellip;]<\/p>\n","protected":false},"author":244,"featured_media":52861,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[7],"tags":[650,651,163,12],"class_list":["post-52853","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","tag-hoyland","tag-mad-little-hybrids","tag-millennium-gallery","tag-sheffield"],"_links":{"self":[{"href":"https:\/\/shef-live.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/52853","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shef-live.co.uk\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/shef-live.co.uk\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/shef-live.co.uk\/index.php\/wp-json\/wp\/v2\/users\/244"}],"replies":[{"embeddable":true,"href":"https:\/\/shef-live.co.uk\/index.php\/wp-json\/wp\/v2\/comments?post=52853"}],"version-history":[{"count":2,"href":"https:\/\/shef-live.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/52853\/revisions"}],"predecessor-version":[{"id":52871,"href":"https:\/\/shef-live.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/52853\/revisions\/52871"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/shef-live.co.uk\/index.php\/wp-json\/wp\/v2\/media\/52861"}],"wp:attachment":[{"href":"https:\/\/shef-live.co.uk\/index.php\/wp-json\/wp\/v2\/media?parent=52853"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/shef-live.co.uk\/index.php\/wp-json\/wp\/v2\/categories?post=52853"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/shef-live.co.uk\/index.php\/wp-json\/wp\/v2\/tags?post=52853"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}